Showing posts with label Entertainment. Show all posts
Showing posts with label Entertainment. Show all posts
Dear Evan Hansen, Here are 13 Reasons Why...

Image result for dear evan hansen
Ben Platt as Evan Hansen, photo by Matthew Murphy

Like many, I instantly fell in love with the new musical "Dear Evan Hansen". I passively listened to the music for about a month just enjoying the melody, guitar riffs, and lyrics. I started to piece the story together, but I didn't really pay attention to the theme until I binged on the show "13 Reasons Why" on Netflix, a show that hit me hard as a father, as a male, and as an overall human being. I jumped back into the music of Evan Hansen and the pain took root. 

Both Evan Hansen and 13 Reasons tackle teenage suicide, a theme that is not new, but has struck a chord in me as of late. Suicide is lonely, a personified version of Zeno's paradox (the belief that two objects never really touch). The choice of suicide as presented in both of these shows is a result of invisible person-hood. Connor Murphy (Dear Evan Hansen) and Hannah Baker (13 Reasons Why) feel invisible for different reasons. While Hannah leaves behind tapes expressing "13 reasons" why she took her life, it was ultimately due to her traumatizing rape that isolated her identity. And with mystery surrounding Connor's death, we can infer from Evan's own failed suicide attempt that Connor isolated himself because he felt misunderstood and thought would be able to "disappear" without anyone truly noticing. 

My soul weeps for these characters because they resonate with so many real people. The popularity for Evan Hansen is not just due to the catchy beats or well rounded acting, but to the fact that people really do feel invisible. In a world of 8 billion? How can that be? 

The question that these shows ask is; "Do we matter?" With so many people in the world, it's easy to feel that your own uniqueness is drowned out. We look to imitate not the people with the best qualities, morals, or courage, but the ones who are most popular simply because they are not invisible to anyone. They are seen! Yet, even the most celebrated may still fall into this isolation (I.e. Robin Williams, Michael Jackson, Richard Simmons).  

Underneath the invisibility cloak that the world throws on us, our inner selves still define our existence, expressing our identity through "spiritualized matter". We cannot see that which is invisible unless through that which is visible, namely our own bodies. Hanna's suicide is presented as a release of invisible pain, something that she quietly (almost peacefully even) drifts away from. It showcases life as a prison sentence and the body as the incarceration of the mind, but never discusses the spiritual. Even Evan Hansen avoids the the spiritual element of the human person. That's where my pain sat for several weeks. I understand that religion has become tainted for so many, but you don't have to be religious to know that there is something hidden deep inside of you that cannot really be explained. There is an energy source that, rather than isolating us, intimately connects us. Call it your soul, spirit, God, or authentic self, but something is there that sets us apart. 

"Dear Evan Hansen's" solution to suicide: a stable support network. Evan starts a campaign for Connor to remind people that "no one deserves to disappear", playing on invisible person-hood. The campaign goes viral and inspires thousands. "13 Reasons Why's" solution to suicide: standing up against the culture of rape. The transformative hero of the show, Clay, literally stands up to Hannah's rapist and secures a confession from him after taking a brutal beating. 

There comes a responsibility when watching these shows, to not allow suicide to appear glamorous (as in the show Heathers). 13 Reasons portrays suicide as a way to get revenge on your enemies and Evan Hansen showcases it as a way to capitalize on one's own anxiety. We must remember that even if we feel invisible, we are not. We should draw out the invisible spirit of our uniquely unrepeatable selves. It is through our physicality that our invisible identity is seen. The best parts of us are hidden, only to be revealed through our physical choices, voices, actions, expressions, ideas, etc. 

Suicide is lonely. You are not alone. You are loved, whether you feel it or not. Open up your invisible wounds to several people you trust, not just one person, that way you don't put the weight of your existence on the response of someone who may not understand how you feel. Build a support network and remind yourself that you matter. No one deserves to disappear. Life is a tragically beautiful play and you have your role in it. Ask what it is. You may not fulfill that role for many years from now, but you can never bask in the spotlight of your destiny if you skip rehearsal.  

Dear McDonald’s - A Thank you Note




Thank you McDonalds for artistically telling us millennials that all along we have been eating second hand chicken turds processed inside a brown potato sack-like cover you call a breaded coating. 
(Drives up to the drive-thru)

Thank you for believing that we are gullible enough to fall for your artistic rouse thus allowing ourselves to once again be placed under your spell through your new commercial which acts as a reminder of how delicious our childhood obesity was beneath your Arches. 
(Places the order, "Only 20 piece huh? You don't have a 50 piece bucket?")

Thank you for insisting that we pass along our addiction to our offspring in hopes that they too will have a place to demand us to take them when our spaghetti sauce is runny or just anytime we put them in a car. 
("Okay, just give me two 20's and a four piece for my kid. Sauce?”)

Thank you McDonalds for your authenticity in admitting you have poisoned us for years by using the adverb "now" in your new chicken nugget tag line, "NOW with real white meat and no preservatives”. What about then?! 
("Sweet and Sour all day!")

Thank you for your consistently masked belligerence in your advertising through the use of Olympians who are probably eating a vegan burger cooked on Jason Mraz's farm instead of that heart attack you call a Big Mac. 
(Bites into a nugget and sheds a tear.)

And finally, thank you McDonalds for proving that you don’t need a clown in your ads anymore to remind us of who we are as your patrons.  
(Guiltily admits he preferred the nuggets with the GMO’s. Nothing like the classics.)
"Black Tap and the Experience Illusion"

So aside from the film industry, I am in the business of creating positive guest experiences through hospitable Storytelling. At the Biltmore Hotel in Miami, Florida, we create experiences that are so impactful, the guest is compelled to share their story with someone else via word of mouth or social media. Retrieving these positive stories is only possible through our commitment to serve with deep empathy and passion. The Biltmore has an outstanding product that demands outstanding service, else that product would be devalued. The stories we create are only as good as our service. If a guest reads a great story about our Fontana restaurant, decides to try it out, but receives terrible service, the experience is disparaged. Experts say we are living in an "Experience Economy", where experiences outweigh mere services and goods; but after what I witnessed last weekend, I believe we are moving towards a "Social-Experience Economy", where the digital experience is more profound than the live one. However, does this make the experience worth paying for?

Black Tap
Last weekend I was in New York City with my family. My sister had been psyched to try this place called Black Tap Craft Burgers and Shakes (+Black Tapever since she started following them on Instagram and saw them on Buzzfeed. They had been posting pictures of their food for a while and have become known for their gourmet burgers and decorative milk shakes. Even the Weeknd showed up... but not during our weekend. Sorry. His name... I had to.

The Weeknd enjoying his Cookie Shake +Black Tap 
Their social marketing campaign proved successful the moment we arrived. If we wanted a much-desired seat in this SOHO sweet spot, we'd have to wait in a two-and-a-half hour line just to get in. Two-and-a-half-hours, folks. As my wife's students would ask #isthisreallife?

Five of us, plus my two-year-old daughter, committed to this line. Anyone who attempts this with a two-year-old should check themselves into a mental hospital. Luckily, we have the coolest daughter on the planet and she held up for that long. So many times we contemplated just skipping the line, but something about the experience compelled us to stay (blame those Instagram filters). We wanted to try those decorative milkshakes, we stared at and discussed Black Tap's social media pages) and the closer we were the more the anticipation grew. (My wife would like me to point out that she was highly-absolutely-positively against this line from the beginning and even suggested other restaurants.) But the rest of us knew that the great reviews, the amazing pictures, and the long lines couldn't be wrong about this place.

Finally our time came, just under the two hour mark (how cool were we)! We were escorted into the pub and seated at the bar. They had hooks for our bags and outlets to charge our phones. There was a full bar with local craft beers. Amazing right? With our stomachs grumbling, our two-year-old breathing a sigh of relief to finally get to color, and our phones plugged in to ensure enough battery life to socially document every detail, we perused the menu and prepared to order. With all of the hype about this place we assumed the service was going to be top notch, but to our surprise, the service was mediocre and disorganized. It took us another 15 minutes just to order after waiting so long. My wife asked the waitress if she liked a certain burger and she just shook her head and said in a non-caring voice, "I don't know, I haven't had it." It was clear that, in order to keep up with the high demand, the company sacrificed service, the most important part of the experience. 

All the food needed to be ordered at the same time (drink, apps, meal, and shake) so the server would only need to touch the table once in order to move on to the next batch of suckers-- I mean customers. In my case this meant that they brought out my beer, appetizer, entree, and gourmet shake all at the same time. You had guests having to choose to enjoy their delicious craft beer or eat their meal, or dive into their milkshake before it all melted away because of the restaurant's lack of organization. I mean, it was all over the place. When my wife caught sight of the on-coming milkshake (which was making its way to us before our burger salads), she quickly asked our waitress if the milkshake could wait. After all, if a toddler catches sight of a gigantic ice-cream sculpture oozing with chocolate chips, how much of her dinner do you think she'll have? That's right: none. Plus add that to the tantrum thrown when said mountain of ice-cream is placed before her and we enforce that she should finish her meat patty. Yeah, as my wife would say, "hell no." Luckily, the young woman making the shakes caught sight of our anxious faces and held off on the shake (she later confided in us that she did this because she, too, is a parent).  

Finally, the big moment came: Black Tap Shake Time. After the ooh's and aah's of our dessert's entrance, I quickly realized the shake was mostly whipped cream and chocolate syrup. The straw was too short to start drinking it because the whipped cream was overflowing. I tried taking a sip at first and got smothered by the white foam. I started digging through this sugary mountain just so I could taste the shake. It had an ice cream sandwich stuck on the glass which was nice to toss in the shake, but then I lost all of the whipped cream in the after splash. The chocolate chip cookie was good... my daughter certainly liked it... but was it worth the two-hour wait and bad service? Besides, trying to drink this thing was ridiculous and we could have saved two hours by just ordering the shake to go and avoiding the $15 worth of  decorative glass.

The burgers were good, but not worth the wait. The space was poorly utilized as most of their downstairs tables were open (possible hype-tactic?). The company clearly did not know how to function with large volumes. The experience was downgraded to meet the high demand rather than upgraded to keep customers coming back.

Social-Experience
So many people were snapping photos of their food and posting them online, including my party. I asked my brother about his experience and he said that his burger was delicious, but he would never come back. This was a one time thing. He tried to justify the bad service however, saying that my expectations were too high for just a bar. Maybe he is right but in my experience, it's the service that changes the game from "one-time-thing" to loyal customer. 

It's amazing how much money people spend on the illusion of an experience. They see others post photos of these shakes and make the decision that they are worth standing in line for because participating in the online experience with others is attractive. To my disappointment, they were just shakes. In the experience economy, the consumer's experience is all that matters. Within the social-experience economy, however, it is about the illusion, something that acts as a social media status changer. The illusion experience makes the food taste better because your mind believes it has to be this good. The experience of posting it online and sharing it with celebrities like the Weeknd is what satisfies the consumer more than the actual product and service does. And to contribute to the social-experience economy, I've had more satisfaction writing this blog than actually eating at Black Tap. They got me. The big question is what will happen to the service industry if consumers only care about the illusion more than the live experience? Will the stories about the illusion become more impactful than the stories of genuine service? Instagram and Snapchat may have proven they have.

In case I wasn't clear, Black Tap is not worth the wait... but if you wanna chance it and participate in the social-experience it provides then be sure to grab a slice of pizza while you are in line and remember to not bring a toddler!

P.S. Miami Locals will enjoy Spring Chicken much more than Black Tap with no wait, tastier food, and decent shakes! 
If you are a carnivore and are looking for a good burger joint, check out my buddies blog! Burgersandtech.com



Sara Bareilles’ recent single comes from her new musical “Waitress”, with it’s story adapted from the 2007 award-winning Indie Film. The musical centralizes on a waitress, who strategizes a way to leave her abusive husband, but finds herself pregnant with his child in the planning process. With an innate talent for conceptualizing and baking beloved pies for her patrons, her identity lies sandwiched between her impressive pastry skills and the cowardly use of a man who can’t love. 

The song “She Used to be Mine” is the musical’s ballad baked into a melodic pie of brutal self reflection. Whether you have seen the movie or listened to the tracks released on Bareilles' new album, “She Used to be Mine” attempts to pry open that emotional coffin you buried a piece of your soul in. 

I’ll give you four minutes to listen to the song… 

Now here is a breakdown of how it relates to you (mostly me though…maybe you too). 

Brokenness
“She is broken and won’t ask for help”
Brokenness is something we can all relate to because well...we are all broken. Jenna, the main character, sings about her unwillingness to seek help within the shattered confines of her marriage. I’ve always had trouble understanding why some people stay in abusive relationships until I looked at my own self-pity. I can be extremely hard on myself especially when I fall into the common misbehaviors of my damaged character. I repeat mistakes, often wondering if I’ll ever learn from them. My brokenness is rooted in fear and am willing to bet that much of your brokenness is rooted in the same; fear of facing your past, fear of change, fear of responsibility, fear of your own thoughts, fear of pain, fear of being alone, fear of losing someone, fear of losing yourself, fear of being loved and not being loved.

Jenna is afraid for the entirety of the story. She is afraid of never being loved and never loving in return; true love, not feared love as coerced by her egotistical husband. That fear began when she lost her mother, a woman who showed her that baking can be as artistically enriching to taste as the Dome of St. Peter’s Basilica is to absorb with your sight. Tragedy is difficult to recover from once it sinks its roots into the heart with unpronounced emotional numbness. Once you are numb, it’s easy to stay in an abusive relationship. One is convinced that it is better not to feel anything than to face the internal combustion that is the grieving process.

Jenna sings, "Most days I don't recognize me." She is holding on to her brokenness by dwelling on a past identity. We are not always the best version of ourselves in our most fondest memories and sometimes those admirable traits we have will alter. While our core identity remains in tact, the surrounding elements will shift. By trying to get back to a single time in our past we don't leave room for the necessary transformation of our heart’s authentic self. But as Jenna discovers at the end of the play "Everything Changes”, including those traits that made up the identity she once desired. 

Life is Alive
“Sometimes life just slips in through a back door and carves out a person and makes you believe it’s all true.”
Wow, how brutally honest is this lyric? When looking back on my life I can say there have been times when life carved out an identity that was false and convinced me it's who I was. Without self confidence, I believed that the repeated opinions of others was all I was made to be. This lyric is all about taking control of life before it takes control of you. Life of course is alive. It’s a garden waiting to be pruned or else prepared to grow wild wherever it likes.

When I was 10 years old my friend’s Michael and Matt had a picnic table in their backyard. One day they were playing on it (or something) and it broke. Rather than fess up, they blamed it on me. I wasn’t even there! That did not stop their mom from forcing a false confession out of me. She sat me down in her kitchen and told me that I needed to admit what I did or I would never be able to play with my friends again. She promised their wouldn’t be any repercussions If I just admitted it. It would have been nice if Mike and Matt had given me a heads up about this, but they didn’t. So instead of embracing an identity of honesty and self-worth, I admitted to a crime I never committed just so I would not lose my friends. She convinced me of admitting to something that was not true and it rooted into my identity. I started having a fear of authority from that point on. This is an example of how “sometimes life just slips in through a back door and carves out a person and makes you believe it’s all true.”

Even at a young age, even when we may think it doesn’t matter, even at the loss of friend’s, one cannot forfeit their identity. The outcome is immense as one develops their character.  

The Back to the Future Syndrome
“If I’m honest I know I would give it all back for a chance to start over and rewrite an ending or two.” 

I find myself thinking of times in my past that I would like to go back to and relive with the knowledge I have now. I want to prevent myself from making irrational choices in desperation of avoiding the pain of emotional consequences. I know; however, that because of former bad decisions I have achieved a much more valued character. I also know that because I persevered through those challenges I have become a better version of myself. I am a better person because of those mistakes. Yet, I still won't hesitate to travel back in time like Marty McFly and change my past even if it means affecting my future. That's what I call BFS or Back to the Future Syndrome. The goodness in our lives is shadowed by the dark scars in our past.

This song is Jenna's BFS moment. She cannot see the goodness residing inside her because she is consumed by thoughts of a "girl she once knew”. This is a plea for identity, an S.O.S. to the inner life, brought about by the unrecognized life force within her. We all have a life force that we have abandoned and are searching for again.

Jenna's life force is her unborn child motivating her to become stronger. Your life force may be an untapped talent, your passion for justice, or the yearning for unconditional love. Life forces are transformation makers. Jenna accepts that her old self is gone and a new identity outshines the old. Her transition from a motherless child to the mother of a child changes everything. Mother is who she is and how she now thrives as she sings to her newborn in the final song of the musical "And who I was has disappeared, it doesn't matter now you're here, so innocent...And I swear I'll remember to say we were both born today." She Used to be Mine is a song that wants Jenna to cling to the past, but the following song, Everything Changes prepares her for the new future, one that transcends her past self. Think of a snake, it cannot fit into its old skin once it's been shed. As Jesus put it, you cannot place new wine into old wine skins. You cannot cling to an identity you no longer have, but must seek for the transformative life force within. 

Bareilles bridges a gap between pop and musical that has been missing for a long time. The song speaks volumes in context of it’s story, but holds it’s own as a pop single. Enjoy!



There once was a magical, but devastating dragon who destroyed an entire kingdom. It swooped in from the sky one sunny morning and breathed its fiery breath upon stone, steel, flesh, and bone. The dragon annihilated all of it's visible enemies and rested on the plunder that it took from the kingdom's golden vault.

Beneath the ruins of this visible kingdom resided yet another kingdom, a kingdom of lowly Ants, suffering from the unbearable heat brought on by the fire above. With their home in danger, the Queen Ant surfaced out of her colony into the ruins to come face-to-face and speak to the dragon. Her tiny body was barely seen by the monster as she stood on the tip of it's nose. She told the dragon of the carnage he was ensuing on a species who had nothing he wanted and plead for him to cease his torment.

The dragon did not listen. He sneered and told her that an Ant was too small a creature to concern itself with the affairs of war. Out of spite, he pierced the soil with one of his thick claws and blew an enormous fireball into the ground destroying her kingdom before her eyes. With the Queen Ant holding onto the thick scale of the dragon's nose, both eyes menacingly turned to her tiny body as he said, "I think you should tend to your dead your Majesty."

The queen scurried off the dragon's nose and returned to her kingdom only to find it now resembling the ruins of the human kingdom above. Looking upon the incinerated bodies of her children and people, she gathered the 12 tribes of the underground Ant Kingdom which stretched forth 2,000 miles in all directions. There she pitched her plan to remove the dragon.

Several weeks passed by and the dragon rested in a deep sleep. It did not notice the army approach because it came from beneath. Five million ants from each tribe positioned themselves under the dragon and lifted with the indelible strength only a creature like themselves possessed. They marched 300 miles south with the dragon upon their backs until they reached a steep bank with a cavernous ocean below.

As the dragon continued sleeping the ants waited for the sun to retire and the moon to show its full face. The ants knew that magical dragons hid from direct moonlight. When the moon was at it's brightest the ants carried the dragon off the bank in solidarity. The dragon fell hitting rock and stone on the way down. It awoke mid-fall, but upon making contact with the moon it became paralyzed and could not flap it's wings.

It crashed into the water and was pinned under the current. The dragon struggled to escape the moon's rays, but it did not let up as it shone thicker through the water. There it drowned within the confines of its watery prison. One by one, the ants that had fallen over with him began to emerge from the water and make their way back up the steep bank to praise their queen for destroying the dragon.

The Queen Ant gathered her community that night and told them that all praise goes to the moon for its natural defense against the enemies of the earth.

    
Thirty, he thought, the speed limit was forty-five. His hand barely glided atop the wind as it hung out the car window. His mother wasn’t a risk taker. Not like him. He was the boy who would trade his entire childhood if it meant being old enough to drive. The minimum age was all he needed to be, no sense in being older than necessary.
      “Dylan put your arm in the car before it gets chopped off,” his mother shouted.
      He did as told, no need for an argument.

      He really did wish his mother had a heavier foot. Not that he was in a hurry to get to where they were going anyway. He just loved speed, every aspect of it. He was yet to be told by more experienced children that the faster one accelerates the greater the risk of crashing. But he was a risk taker.

      The car finally stopped. Mrs. Rooney was waiting on the front porch of the house already eager to greet the two. Dylan was the first out of the car and Mrs. Rooney swiftly made her acquaintance with a motherly embrace smothering Dylan’s head into her blouse.
      “Oh, bless your heart.” She added a quick kiss on the top of his head. “Martha, you’re saving my life I hope you know."
     “Oh, it’s no problem really. Dylan is glad to help Ryan, aren’t you Dill?” She gave her son a strict stare.
     “You bet Mrs. Rooney. No problem,” he said.

     But there was a problem, for he never actually agreed to be there voluntarily. His mother had to bribe him. No chores for a week and a new set of Matchbox cars was the payment he would receive if he spent four hours with Ryan trying to help him socialize, whatever that meant. He went to school with Ryan up until a couple years ago when his mother pulled him out to home school him. Ryan was not like any other child. He was much slower at getting chores done and couldn’t respond to people as quickly as other kids. Everything about him was slow, which is what annoyed Dylan the most.

     But Mrs. Rooney came to their house crying on his mother’s shoulder because Ryan stopped talking all together. The sanctity of a mother’s tears will slow down the rapidly maturing heart of any child, including Dylan. As much as he yearned to grow up he couldn’t prevent the feeling of helplessness that came with the sight of a grownup crying. So he agreed to accept the bribe. 

SLOW BOREDOM
     In the bedroom, Ryan sat in a solid blue covered chair with his arms drooping down from his shoulders. Dylan sat across from him avoiding eye contact. He mostly stared at the carpet which was a very bland brown, not exciting.

     “You wanna play cards?” Dylan asked, but no response was given. “Can you hear me?”
     He waved his hands in front of Ryan’s eyes. It scared him a little because it seemed as if there was no life in Ryan at all. What was up with this kid? One thing Dylan noticed was that Ryan was not blinking. He almost decided to go downstairs and call Mrs. Rooney because something seemed wrong, but he suddenly had a flash of memory. It was as if his mind had a buried treasure and he suddenly uncovered it. He remembered several years ago when he and Ryan were both in first grade together. The teacher asked the students who could name their state capital, Dylan knew the answer was Trenton because that’s where his grandma lived, but it was Ryan’s hand that shot up in the air first and it was Ryan who correctly answered the teacher before Dylan’s voice even had time to roll from his tongue.

     He could not stop thinking about the memory. If this were the old West, Ryan’s quick hand would have beat Dylan’s. There was no recovery from defeat, either you are faster than the other man or you are dead. It was so simple.

     So this must mean that Ryan was once not like he is now. He was fast, so he must be faking it. He must be pretending to be slow on purpose. But why would anyone do that? Dylan took this as a challenge. He moved his chair closer to Ryan and he opened his eyes wide and glared into the dark abyss that Ryan now wore over his vision. He was going to have a stare contest.
  
     For two minutes Dylan managed to keep from blinking, but was getting tired. Ryan didn’t show any signs of fatigue. It was if he wasn’t in his own body. Dylan would not quit however, he would expose Ryan for being a fraud. Water and salt began to liquefy and Dylan’s eyes turned a glossy blue, but he kept looking into Ryan’s eyes, lost and consumed by them. Then he heard a familiar noise, an engine. He heard the distinct sound of a car engine as if it were inside Ryan’s head. As soon as the sound faded he saw what looked like a car speeding into the darkness that Ryan’s eyes held. Immediately Dylan blinked, not because he was giving up but to see if he saw what he thought he saw.

     The water ran down his cheeks and he leaned closer to Ryan looking into him to find the car again. He didn’t see it. So he spread open Ryan’s eyelids to look deeper, intruding his space, but he didn’t care at this point. He knew what he heard and saw, a blue car trapped inside Ryan’s mind. Maybe his obsession with cars was really getting a hold of him. He let Ryan go and stepped back. He couldn’t be going crazy, he had only been there an hour. Three more to go, he thought. If he didn’t find something to entertain him he was sure he would end up like Ryan.

     He walked to the closet in the back of the room and poked his head around inside. His eyes lit up at the sight of it, a dusty red car, sized just for an eight year old. It was one of those battery operated cars, but this one had no battery. This would surely keep him busy for the rest of his visit. There was no limit to an imagination built for speed. He pushed the car out of the closet and faced it toward Ryan so he could keep an eye on him. He still sat there motionlessly. He almost felt bad about giving up on him, but he knew he could not allow himself to end up like him, which is what would have happened if he did not feed his adrenaline rush.
     He opened the door and sat in.

SPEED CITY
     The car picked up speed and before he knew it he was no longer in Ryan’s room. He was on the road, behind the wheel, and driving super fast. He didn’t know what exactly took place, but he wasn’t afraid. Children do not ask themselves “how” or “why” when their dreams become real; they just live it before it gets taken away from them.

     The red battery car was now a red Ferrari. His hands were now gloved. His mind was now free. An endless road of paved highway layed out in front him and he had it all to himself. He drove until the sun set and rose again topping two hundred miles per hour. A weird feeling came over him a feeling as if he were becoming one with the car.

     There were four things he noticed during his joy riding: there were no doors on the car only windows, his gas gauge always read full, he never felt tired, and he never had the craving for food. He was sure he must be hungry since a day had gone by without eating. He thought about these things for a little while and then forgot them. These were the thoughts that end dreams. So he sped on leaving them behind.

     After a week Dylan had explored the entire territory and there was nowhere else to drive that he had not already been. His speedometer began to lower to one hundred and fifty miles per hour. Suddenly, two cars appeared on each side of his. Both were dark green with red lining. They were models he had never seen before, they resembled miniature cruise ships. A voice spoke through his CB radio.
     “I wouldn’t be doing that if I were you”, said the voice. It was coming from the car on the left.
     Dylan did not notice the radio there before and he was sure he inspected the whole car. He picked up the radio and answered back.
     “Who are you?”
     “My handle is Keebler. And she over there is Delilah.”
     “Call me Deli,” she said through the radio.
     “Where did you come from?” Dylan asked.
     “First things first, what’s your handle?” Keebler asked fervently.
     He was about to say his real name but then realized that a handle was a radio name, something made up. “Speedo”, he said proudly.
     “It’s a pleasure to meet you Speedo”, Deli said. She shook her long red hair at him as a friendly gesture.
     “I’ve been riding through these parts for a week now. I should have run into you earlier. Where did you come from?” Dylan spoke into the radio.
     “This is our speed zone. Think of this world as layers on an onion. You just happened to be at the top layer while we are at a lower layer.” Keebler said. “You have been alone because no one is fast enough to reach that zone.”
     Dylan couldn’t keep the smile off his face. Its not every day he received praises for his driving.
     “No one you say?”
     “You’re bragging kid,” Deli retorted, “You’re speed resembles your youth. A couple years and you’ll be mid zoning like us.”
     “Youth?” Dylan did not like that word. It was as if Deli insulted him indirectly.
     “The younger you are the more passion fuels your vehicle. As you get older that fuel begins depleting,” Keebler’s high voice said. “Which reminds me why we’re here, you had a drastic change in velocity. Did you hit a speed trap?”
     “Speed trap?” Dylan did not understand.
     “Speed traps are set up at every zone, beware of them,” said Deli.
Dylan did not remember hitting anything. It was a desolate road in the fast zone.
     “I slowed down voluntarily,” Dylan said.
     Both Deli and Keebler were shocked. They started speaking all at once into the radio and Dylan could not make out any words.
     “Are you crazy?” Deli shouted. “You don’t ever slow down. That’s the number one rule. You can’t. Or else he will come. And he will challenge. And he will win.”
     “Who will come?” Dylan asked.
     “Blue Blaze. He sets up the speed traps. He has been here so long that his passion is fully depleted and must live in the lowest zone. So he fuels on the passion of others waiting for them to hit a speed trap and enter his layer. You see once you enter another zone you leave open a brief doorway to the zone you were in. That’s how he sets up the speed traps. After he has killed the person and robed them of their fuel he sets up more traps on every level he can get to until all of that passion is run out.” Keebler has been speaking in a low voice as if someone were listening.
     “He is evil, Speedo. You do not want to cross bumpers with him,” Deli added.

     Dylan thought about this Blue Blaze forgetting the dangers of too much thinking. Blue Blaze must have never gotten to the fastest zone because there would have been speed traps there. So from what Dylan can piece together he alone was the fastest person to ever enter this crazy world. That brought great confidence as well as a big ego, something he hadn’t yet learned to control.
     “I will be careful,” Dylan replied to Deli.
     “Good. Its time we are off Deli,” Keebler said.
     “Ay Ay Captain,” Replied Deli.
     Two loud boat horns rocked Dylan’s car from each side and before he could realize he was alone again.

SPEED TRAP
     He thought about going back up to his level but he finally had time to look at the road which was different here from his own. For one it wasn’t as smoothly paved, he found himself swerving around potholes. In the horizon he could see the soft outline of a city. This didn’t exist in his layer and he decided to explore this territory before returning to the highest speed zone.  

     The sun was coming down and he kept his course for the city keeping his speed at 150 miles per hour. He didn’t know exactly how much more or how much less speed would shift layers because as he thought of an onion he remembered the many that existed even within the tiniest one. So he kept his speed constant and continuous.

     He had been driving for days and still not a bit of hunger affected him. What surprised him even more was that he didn’t have to use the bathroom. The strangeness of it all seemed overwhelming to him for a second, but he suddenly remembered that thoughts end dreams. So he kept driving without a thought in his head. That’s when it happened.

     It was dark and he must not have seen it or maybe he did see it but without thinking he simply didn’t register that it was there. His car slammed into a force of wind that had been bundled up in the middle of the street. It was a confined ball that decelerated the car and himself at the same time because he didn’t fly out the windshield. It was as if he was a baseball and he was caught by a huge glove. His speedometer dropped to thirty and suddenly the wind was gone and he was cruising down the same road headed for the same city that seemed to be much closer than he realized.

     He knew what had happened. Speed trap. What did that mean? Was Blue Blaze watching him? He wasn’t afraid. Dylan knew his power in this world and if he was challenged he would accept and he would be victorious. His confidence was about to be challenged.

     Headlights from a car opposite him were turned on down the long stretch of road. Static came across his radio and then a voice.
     “I’ve been waiting,” the voice was dark and echoed sinisterly.
Dylan didn’t respond he tried stepping on his gas pedal but it wouldn’t go above thirty. He noticed his gas gauge had gone down a quarter. He picked up his radio.
     “Blue Blaze I presume,” Dylan was cool and vigilant in his response.
     “Speedo I presume,” the voice reeked out.
     Both cars were coming closer together head on. A couple football fields away he estimated.
     “I accept,” Dylan said before he could be asked.
     “You never had a choice.”
     “How does this work?”
     “We stay straight on this path toward each other. The first person to swerve out of the way loses,” Blue Blaze explained.
     “What are the stakes?”
     “Life or death.”

     Dylan knew that Blue Blaze would not swerve first. He knew the risks of surviving the crash were not in his favor. But he was a risk taker. His decision was made, he would not swerve.

     Both cars were headed straight for each other. Dylan tried to push above thirty but it seemed Blue Blaze controlled this zone and he was coming at him around fifty miles per hour. It was time; Dylan reached his seatbelt and realized that one did not exist. Blue Blaze’s car was now in clear view. It was a mixture of all shades of blue with a shark fin on its hood. He could see Blue Blaze’s face. Time seemed to slow down when he recognized the face of Ryan driving the car. This was a different Ryan, his eyes were alive, his face was intense, and he was speaking clearly. Without thinking Dylan swerved to the right causing a side collision with Ryan’s car. The blue car flipped over the red car exposing sharp metal shards. The metal pierced into the red car and hooked itself in. Dylan’s car had been like a shield deflecting any front end damage and the car suddenly started to speed up. Dylan maneuvered the wheel to keep on the road, but he was now dragging Ryan’s car with him. The car sped up past 100 miles per hour, suddenly the gauge broke and the car was accelerating faster than can be measured. The Blue car accelerated with it.

     Dylan had no control over the car anymore. He was nauseated, his head was bleeding and his body scraped up. Out his driver’s window was Ryan’s car. He could see the face of Blue Blaze, who seemed to be frightened, for control was out of his hands as well. They were headed straight into the city aimed to crash against one of the buildings. Dylan grabbed the radio.
     “Ryan you have to get out. If not were both going to die.”
     “Who are you? How do you know who I am?”
     “Listen to me; I am in your room right now. I am in your car, that’s how I got here. You have to get out of here. You have to get back to your mother.”
     “There is no leaving this place,” Ryan snapped back. “You think I haven’t tried? It consumes you, stay here long enough and it turns you into something you hate. There are no doors; you become one with the car.”

     They were speeding up even more and now they were almost in the city. The building would be there final resting place. All around Dylan could see abandoned cars on the sides of the road. Victims of Ryan or Blue Blaze?
     “Ryan there is a way. Out the window, I can’t climb out I’m stuck to your car. But you can. Kick it open and climb out and you will be home.”
     “We’re going too fast, I’ll be dead if I jump out?”
     “Your mothers tears. I’ve seen them. They will slow you down as you jump out. They are the only thing that can,” Dylan said.

     Suddenly the cars were approaching the building. The next few seconds were a blur to him. There was no time left. He could see Ryan trying to kick open his window, the blood trickled down into his mouth, and he stared face to face with death, his next zone. He closed his eyes right before he crashed into the wall of brick and cement.

RYAN'S RETURN
     He was screaming when he was pulled out of the car. Blood was covering his face and his mouth and he landed face first into the bland brown rug in Ryan’s room. He did not understand it, but children tend to not ask questions when they cheat death. He shouted for joy and kissed the rug. The blood stain gave the carpet more pizzazz he thought. He then could see two feet standing in front of him. He looked up and saw Ryan holding his hand out. He confidently grabbed it and stood up.
     “Blue Blaze I presume?”
     “Speedo?” The both laughed.
     It was his mother’s tears that had saved Ryan from death that day. They carried him home the moment he jumped out the car window.

     It’s difficult to account for the things that took place that day. But Dylan was considered a hero for rescuing Ryan from the grips of dementia. Later on psychologists would say that it was Ryan’s response to his mother and father’s divorce. Adults were always trying to complicate a perfectly simple situation that they don’t understand. They forget how to use their imaginations and that sometimes children just get trapped in them. Dylan had enough of driving for a while and the boy that would have once traded in his entire childhood to grow up, decided to avoid the speed trap at all costs.
 
       
            
       

            

Gungor - A Cinematic Experience

I found myself eagerly anticipating the release of Gungor's new album, "I Am Mountain". Pacing back and forth the night before hoping I will be able to download at 11:59PM, like I was attending the midnight showing of Harry Potter and the Deathly Hallows. After being transformed by their previous albums, "Beautiful Things" and "Ghosts Upon the Earth", I was excited to delve back into the minds of these talented artists.
Since its release in September I have been able to spend some time absorbing it. This album is very different from their previous albums, in the sense that it is very cinematic and exploratory. It speaks about spirituality on a completely artistic level, never mentioning the name of Jesus. It is an album that speaks of the human relationship with good and evil through poetic verse. There is “Eternity within a man” as said in their opening song. This album is a beautiful reflection on spiritual warfare. I find that their first album “Beautiful Things” is a reflection on beauty, “Ghosts Upon the Earth” is a reflection on creation, and “I Am Mountain” is a reflection on destruction, that is, spiritual war that resides within every person.


Spiritual warfare is difficult to accept because it calls for attentiveness, readiness, and change. One must first become aware that they are in a war, learn how to train for it, then go out and actually fight it. “I Am Mountain” gives the listener the opportunity to meditate on their own spiritual doubt, fear, and temptation. It is put together as one seamless cinematic piece that reveals those intimate moments of fear, abandonment, rejection, denial, and loss of spiritual battles. At the same time, it is also telling of spiritual victories.

While spiritual warfare is very common to Christians, it can still be applied to non-Christians and non-believers. Essentially, a spiritual battle is one of the conscious, hearing your inner voice direct you on the proper course and choosing the opposite. It also reflects why many humans have such an intense passion for justice, mirroring the hidden image of their creator, Justice Himself. Spiritual warfare can create a misdirected Christian, Jew, Muslim, Buddhist, etc., doing more damage to the faith then good. Ultimately, it comes down to ones willingness to fight. Our bodies are constantly at war. We have thousands of antibodies that fight foreign bacteria, viruses, and enemies that try to get in and harm us. If our body is constantly attacked imagine how often our soul is attacked. We would rather refute this idea because to fight the battle for our soul takes very different weapons, namely meditation, prayer, sacraments, optimism, generosity, hope, forgiveness, faith and love. It also takes honesty about one’s mistakes, attitude, and perspective on life. 

Gungor captures this war very beautifully, producing an oratory cinematic masterpiece. While I recognize that some of you may have a different take on this album, I would like to offer you the musical narrative that has developed in my mind as I meditated on the songs. I will start in order. Feel free to click on the links to the songs as to listen along while you read.  You can purchase their full album on Itunes , Google Play and Amazon.  

There are key words throughout the album; light, shadows, fight, battle, wandering, heart, mystery. Pay attention to them.

The album’s title track kicks off the story. “I am Mountain, I am dust/Constellations made of us”. It is the recognition of unity among human beings and creation. We are carbon and spirit, not mere matter, but spiritualized matter. With this knowledge, we recognize we are in a battle against a force that wishes to make us less than what we are. Any spiritual battle begins with the awareness of the war. Without awareness, then one may be succumbed to either side, light or dark, good or evil. This song is a rallying of the troops, a mustering up of courage in order to fight against an injustice. The songs melodic “Ohh ohh ohh oh ohh” is a battle cry after Lisa calls out “As the light lights up the skies, we will fight for our lives.”

The song has the same effect as Cabaret’s “Tomorrow Belongs to Me”, but for the opposing side. “Tomorrow Belongs to Me” is a rallying song, sung by a Nazi youth with the intention of rousing patriotism for the “Fatherland”. “I Am Mountain” rouses devotion to the Father. As I listen, I envision thousands of people beginning to stand as Michael is singing, joining in the one song that unifies them in peace, love, hope, and justice. The war is about to begin and we are unified in song, being, and creation.

At first this song seems out of place, but in any good narrative there is always a back story. We need to know why we are going to war and who the enemy is. “Beat of her heart” provides the perfect back story for us. I see the troops gathering into their transports as a slow fade transitions across the screen into a musical telling of the Ancient Greek legend of Orpheus, a musician and poet known as “The Father of Songs”. Orpheus loses his wife Eurydice to Hades and must battle his way through the underworld to retrieve her.

With my song
I will charm Demeter’s daughter,
I will charm the Lord of the Dead,
Moving their hearts with my melody.
I will bear her away from Hades.(Orpheus)

When he reaches Hades, he is granted permission to bring her back to the mortal realm, but must trust Hades that Eurydice will be behind him the entire time of his departure without looking back to check. Unable to resist, he looks back and watches his wife vanish from his eyes forever listening to her last words, “Farewell.”

This is the beginning of the spiritual war. In Genesis, it is Eve who is first tricked by the serpent then Adam who eats of the forbidden fruit, resulting in spiritual death. In Orpheus it is Eurydice who is bit by a viper and poisoned. The serpent and Hades are symbols of Satan, bringing death to the living. We are reminded that our battle is with Satan and death. How do we recover what we lost, which is eternal life? This is our spiritual war.


How many of us struggle with temptation to sin as Orpheus struggled with the temptation to look back? The serpent will use the truth in order to instill doubt. A Christian view on this Truth is that Jesus destroyed the serpent and death by self-sacrifice, turning death upside down. Accepting this is not enough, we must fight our own battles every day in order to win the war for our soul. 
Now the we fade back to the troops huddled together in army transports.

Since we are now aware that we are in a war and why we are fighting, we must be truthful about our strengths and weaknesses. A soldier who has no knowledge about flying a plane will not sit in the cockpit. In a spiritual war, we must admit that we are indeed “A Long Way Off” from what we think we know. We are sinners, we’re not perfect, we make mistakes, we hurt ourselves and others. We are limits. This song is preparation for ones acceptance as a limit. It is a sort of spiritual "boot camp" where we receive training.  

When the Russians first rocketed into space, it is stated that one of the astronauts said, “There is no sign of God.” Humans are so concerned with finding the tangible evidence of the Creator, as if God were something to be seen, touched, or captured. We want to find the infinite being inside of His own creation, but forget that we are only finite creatures. God is the act of “to be” itself, in which all things find their creation. Therefore, we are a long way off when it comes to our knowledge of God, the universe, and ourselves. In a war we must know our strengths and weaknesses because only then will we know how the enemy will attack.

There can be many prisoners of a war, those who are captured from the opposing side and civilians caught in the crossfire. A spiritual war takes many prisoners, especially those facing an addiction or unhealthy habits. Addictions can be hard to break and can even be compulsory, forcing someone to do something that he or she does not really want to do. One can feel helpless, abandoned, and imprisoned. This is what “Wandering” presents, the image of the lost wandering souls on the battle field, searching for help.

I’ve been wandering through this world
Looking for an anchor to hold me


The song uses auto-tune in a unique way. It builds up with Lisa’s voice into an undecipherable cry. I can see the millions of souls reaching out to the sky, pleading for help. It is what I picture hell to be for all of its captives, a desert of souls parched of faith, hope, and love. It is a ballad in the middle of the musical reminding us of our own mortality. It is easy to imprison ourselves within our own sins.

I’ve been wandering through this world
Looking for a love that might free me


The song provides us with the weapon to fight the war, love. We must love others more than ourselves. "Nobody should be looking for his own advantage, but everybody for the other man's." - 1 Cor 10:24 

For the weapons of our warfare are not of the flesh, but divinely powerful for the destruction of fortresses. - 2 Cor 10:4

“Let it Go” is a battle song. The war is finally among us and we are engaged in a full blown "Lord of the Rings" type battle. Anytime you face an addiction you are ultimately faced with a choice. I used to suffer from a major pornography addiction and one night I fell to my knees in tears, begging God to help me let it go. I would pray over and over  as if I were pleading for my life. It felt like the scene from C.S. Lewis’ “The Great Divorce” where a man pleads for God to remove the red lizard demon of lust from him. God sends an angel to
remove the demon from the man and he is granted a victory. I too was granted a victory that night, it was a joyous occasion knowing that I won a battle of temptation. God did not just destroy the red lizard of lust, but he transformed it into a beautiful white stallion. God wants to transform our addictions, leading us to ultimate victory.

“Let it Go” is the most upbeat song on the album, it is the song that will be played at parties, the song that everyone will dance to, the song that utters jubilation. It is a victory song. I picture a grueling battle scene, the clashing of bodies, the cracking of sinew, the smell of death, but see the illuminate light of victory for our troops. In spiritual war, we must let go of the things that destroy us from within or else we will lose the fight.

If there’s anything that holds you down, just forget it
Keeping your feet on the ground, don’t you let it
Let it go


All great films use montages to show the passing of time and to compact a lot of narrative into a short section of the movie. “Wayward and Torn” is the war montage scene that reveals a steady fight against injustice. I can see the flashing images of battles, the rescuing of captives, the releasing of prisoners, the feeding of those in poverty, and the growing of an army who welcomes new recruits who wish to fight the good fight.

You walked this road a thousand times
You know exactly where it ends
Where it slopes and where it bends
All the camps have locked their gates
All the lines are drawn and clear
All who are worn
Wayward and torn
You’re welcome here


In a spiritual war, it’s all about evangelization. Bringing the good news to those who have never heard it and helping them discover their own mission and purpose.

You cannot have a film without conflict. At one point your hero must lose everything he or she has in order to discover something greater about themselves. “God and Country” is the image of a devastating battle that is lost due to pride. In a war one can quickly forget their reason for fighting, losing meaning and motivation. With these blurred lines it becomes necessary to create purpose. In a spiritual war, we can fight for a long time, forgetting who we are fighting, why we are fighting, and with what weapons we are fighting with. One can lose their faith if not careful or make an idol of their faith.

Gathered up our God oh we gathered up our guns
For the love of country
For our fathers and our sons


“God and Country” can be seen as a commentary on gun control as well as a symbol of pride’s impact on faith. When we combine faith with government it creates conflict. Who is then the voice of reason, God or Country? The slope is very slippery here and can be crossed back and forth. Pride can settle in and actually turn the soldiers against each other. Imagine two armies of soldiers running full force at one another, then all of a sudden half of one army turns against their own. Spiritually, we do this to one another all the time when we claim to know more than God and what is truly best for another person. We create cliques in our churches, judge others who do not give a certain amount of time, talent, or treasure, belittle those who are different, force out newcomers, and become Pharisees. We will switch sides without ever knowing it or intending to do so because of our own pride.  

Those who live by the gun
Live by the gun
Die by the gun.

Gungor then shows us the devastation we have wrought against ourselves as we reflect on our losses. "Hither and Yon" is like the aerial shot of a war film, capturing the bodies stacked up for miles around. There are no words.


Yesternite the gods they disappeared from sight
The angels flapped their wings and took their songs to flight
The shadows lift their hands and praise the light



“Yesternite” is a lonely cry of mourning in one’s soul. It’s the worst thing that could happen to any character in a film. In "Lord of the Rings", it’s when Frodo loses Gandalf to the Balrog. In "Harry Potter", it’s the death of Professor Dumbledore. It’s the infamous “Nooo” from Luke when he discovers that Darth Vader is his father in "The Empire Strikes Back". This is the moment where the soul is at its lowest point.
In a spiritual war you are bound to hit rock bottom. St. Teresa of Avila speaks of the Dark Night of the soul, a long dry spell of faith.  
The song explores the fear of abandonment, “The gods disappeared from sight”, but also the first light of a new hope, “And so the morning finally shed its light/the mourning of the loss/the sacred fight/sunbeams lift their hands and praise the night.”


Where do you place “The Best Part” among the visions of this spiritual war? It’s musically haunting, yet lyrically hopeful. What I think it represents is the descending of love itself in the heart of the war. Christ came to suffer with his bride, to die in order to save humanity.

I have seen it all
Oh, I have seen it all
I’ve felt it all
Life is running swift now
Like a raging river, how it runs out
Please don’t go


It has the eloquence of a psalm, which according to many theologians are prophetic songs that almost sound as if they were coming from the mouth of Jesus. Especially Psalm 22, “My God, My God, why have you abandoned me?”

"The Best Part" is like the motivation for the soldiers to keep on fighting, despite their failures. It’s what causes Sam to pick up Frodo and carry him to Mount Doom in "Return of the King", it’s the courage that causes Harry to meet Voldemort in the woods in "The Deathly Hallows Pt. 2", it is what fuels Bruce Wayne to make the jump in Bane’s prison in "The Dark Knight Rises". This motivation eventually leads to the hero’s victory.
  
Every film has a third act, which is when the hero discovers a way to defeat the enemy.

Call me back into the silence
Into the sunlight
Every breath a standing defiance
Of death and of clamor
Let darkness be scattered now


The remaining soldiers are ready to fight, knowing the enemies weakness and recovering the tools to defeat it. Harry destroys the final Horcrux to defeat Voldemort, Frodo destroys the ring to defeat Sauron, Batman flies the bomb away from gotham City. The final battle ensues, leaving behind a carnage of destruction, damage, death, and finally victory.

All the stars fall in line
And the seas bow their heads
We remember our dead and we sing another day
As the silence it grows and the worlds fade away
All the sons empty their graves
We will sing another day


One’s spiritual war will end at their own death, where they will either rejoice in victory or wander eternity in defeat. Gungor is imaging this final battle in victory, “We will sing another day.” How did we win? What is the enemies weakness? Gungor reveals it in the final song.

“Upside Down” is a prayer. It is very short, simple, and to the point. It is the resolution of the film, how it all ends. At the same time it is the ultimate result of a real spiritual victory, conversion. At the beginning of the album there is a rallying of troops with “I Am Mountain”. Thousands of people stand firm in unity, but later on most of them fall. Why? They did not experience real metanoia, conversion. Authentically, they must choose to be in a relationship with their Creator in order to sustain their faith. It is the same idea of children who grow up in the religion of their parents. They do not own their faith or experience conversion by blindly following their parents, but find their mission through a personal relationship with God.

Upside down
Upside down
This world is upside down
Do you see
Do you see us
Do you hear us
Make it right
Make it right
Let the sun rise


Wars have peace treaties in order to prevent further war from breaking out again. This song is the peace treaty in spiritual warfare because it reveals prayer. Prayer is what will keep you out of the darkness, help you maintain the peace in your soul, defeat the many attacks that will still come. It is through prayer that victory is sustained.
The song builds to a beautiful crescendo. I envision the heavens opening, light flooding the human soul, darkness being vanquished, and the dead being resurrected to new life. At the end of the song there are faint voices speaking. This is what they are saying:

"Prayer is AT LEAST a form of mediation that encourages the development of healthy brain tissue, lowers stress and can connect us to God. EVEN IF that is a comprehensive definition of prayer, the health and psychological benefits of prayer justify the discipline."

"God is AT LEAST the natural forces that created and sustain the Universe as experienced via a psychosocial construct rooted in evolved neurologic features in humans. EVEN IF that is a comprehensive definition for God, the pursuit of this personal, subjective experience can provide meaning, peace and empathy for others and is warranted."


DENOUEMENT 

God is not for Christians only, but for all and can be met on every level. A spiritual war is going on inside all of us and we have the weapons to win. Gungor’s “I Am Mountain” is a beautiful reflection on the spiritual life of a human being. Listen closely, carefully, and intently. I’m curios to hear your interpretations on the songs. Please feel free to comment below on any of them and be sure to purchase the album!
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